These were primarily taken at the Edwin B. Forsythe National Wildlife Refuge in NJ, except for two taken near my home bird feeder.
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I did both of these based on photos I took.
This winter I have shot hundreds upon hundreds (okay, into the thousands) of birds and outdoor nature images. Some of my images I used as references for paintings and drawings, which I am truly enjoying. While my goal today was to finish weeding my winter photos before starting a new season, that didn’t happen. Instead, with yesterday’s snowstorm and this morning’s beautiful lighting, I was outside shooting more. Here’s a favorite of the day.
February 4, 2014 – update!
I am thrilled to report that the fundraiser was a complete success! In only 2.5 hours, $10,000 was raised for The American Cancer Society! My piece has a new home in Irvine, California!
The 100 Fundraiser to Fight Cancer starts tomorrow, February 4th, at 10 a.m. CST. I am one of the 100 selected artists participating in the event, and the above work, featured on page 45 of my book, Gloria Hansen: An Evolution in Stitches, Paint, & Pixels, is my small contribution. Please get involved and make a difference. For more information, please visit Fiberart For A Cause.
I’m honored to announce that I am an invited artists for “The 100” – a fiberart fundraiser to benefit the American Cancer Society – to be held on Wednesday, February, 4, 2015. The goal for this event is to raise $10,000 in one day.
Cancer has robbed from the world several people that I dearly love. I do not know anyone whom cancer has not affected. More than a year ago I had a diagnosis of a rare salivary gland cancer. I was extremely fortunate in that I received my diagnosis in a very early stage and surgery completely removed it from me; I am considered cured of that particular cancer. Others are not so fortunate and have endured long and difficult battles to combat their disease. Research dollars are desperately needed to continue to find ways to help provide better treatments that extend the quality of life and ultimately to provide a cure.
Through Fiberart For A Cause, Virginia Spiegel, the mastermind behind the cause, has raised a total of $240,000. The goal with this fundraiser is to bring that total to the quarter of a million dollar mark.
Please get involved and make a difference. Only 100 patrons can participate! Your donation will ensure that you will receive a piece of artwork created by one of the 100 participating international fiber artists. All artwork is valued at least $100, and the piece I am donating is worth more than three times that amount.
For more information, please visit Fiberart For A Cause. Please spread the word about this event!
A couple weekend ago, Rich and I went to an antique car show, something he use to do with my dad on a regular basis. Sadly dad is long gone, and Rich hasn’t gone to many shows since. However, I agreed to go with him to a show in southern NJ. While he enjoyed all of the beautifully restored cars, I was far more interested in the rusted relics strewn along the property edges. They, along with the late afternoon glowing sunlight, had me climbing through all kinds of weeds and trees to take shots. I found it all peaceful and beautiful, the way the autumn coloring so complemented the decay of the cars. In that junkyard of sorts, I found beauty and even some hope.
On the Friday before my birthday, Rich, my mom, and I wen to the NJ Pine Barrens for a cranberry harvest tour. We did this one in a privately-owned, working farm along Route 563 in the Chatsworth, Burlington County, NJ area. First we heard an excellent talk by Brenda Conner. She explained that cranberries were American’s first super-fruit, used in 1550 by Native Americans. Then we went onto a special bus and went out to the narrow sandy dams surrounding the cranberry bogs. Joe Darlington, her husband (and co-owner of the farm) was at the mic giving us more information. She and Joe are fifth generation cranberry farmers! I was surprised to learn that Ocean Spray is a co-op, owned by some 700 farmers, with Brenda and Joe being two of them.
The entire tour was excellent! The only downside was early in the morning it was a bit overcast. Additionally, for insurance purposes, no one was allowed off the bus, but could go onto the bottom step for taking pictures. We capped the tour off by returning and tasting a lot of excellent Pine Barrens Native Fruits, my favorites being the cranberry and walnut jam and the tru-blueberry jam.
This was taken later in the day, and you can see how much the sky brightened up.
We also returned to nearby Whitesbog Village in Brendon T. Byrne State Forest, home of Elizabeth White’s blurberries — the first place in the world where blueberries were cultivated — and did a walking tour. Rich and I have been to Whitesbog Village many, many times this year, and every time is a treat!
I just love the area, and I’m so glad that we finally was able to see an actual wet harvest! I’ll be posting more pictures, as Rich and I returned the following evening and the weather was even more lovely!
I took a lot of photos this past Saturday of some cranberry bogs. It was a beautiful late afternoon and evening, with crisp weather, clear skies, and a gorgeous sunset. I’ve been having a great time this year photographing many scenic locations, visiting various parks, wildlife sanctuaries, bogs, and salt marshes on a regular basis. My eventual goal is to add a section for photos on my website. Some people have written expressing an interest in buying prints. Let me know your thoughts on the idea.
I love getting out during the summer to photograph nature, especially butterflies, birds, and landscapes. I keep meaning to post more images, instead I’m out shooting! Here are a few favorites.
I’m very happy to have three small works included in this show, especially considering how few shows I’ve entered this year. All works are for sale, and two were made specifically for the show — Butterfly I, and Butterfly II. If they don’t sell at the show, I am going to offer them for sale through my website.
Here is one of the two Butterflies. Each are float-mounted on 8×10 watercolor paper and framed in a shadow box. You can see more images from the show here.